CURRENT WORK AND FUTURE PROJECTS - 2017
AS ACTOR:-
Neeraj is currently shooting for his next feature film, THE FIELD, directed by Rohit Batra. This is an Indo-US collaboration project where he plays one of the main leads in the role of a gangster. The film also stars Hollywood's Brendan Fraser and Ronit Roy.
He just completed a feature film called "THE HUNGRY" with Naseeruddin Shah. This film is an adaptation of Shakespeare's Titus Andronicus. He also wrapped shoot for "HICHKI", a Yash Raj Film production with Rani Mukherjee.
Neeraj is also acting in a Christopher Hampton play called THE FATHER, being directed by Naseeruddin Shah. The play will open on stage from September onwards.
Neeraj is currently shooting for his next feature film, THE FIELD, directed by Rohit Batra. This is an Indo-US collaboration project where he plays one of the main leads in the role of a gangster. The film also stars Hollywood's Brendan Fraser and Ronit Roy.
He just completed a feature film called "THE HUNGRY" with Naseeruddin Shah. This film is an adaptation of Shakespeare's Titus Andronicus. He also wrapped shoot for "HICHKI", a Yash Raj Film production with Rani Mukherjee.
Neeraj is also acting in a Christopher Hampton play called THE FATHER, being directed by Naseeruddin Shah. The play will open on stage from September onwards.
His latest venture as an actor is a web series being produced by Netflix and Phantom pictures. He is being directed by Vikramaditya Motwane and Anurag Kashyap in a series that also stars Saif Ali Khan and Nawazuddin Siddiquie.
AS DIRECTOR:-
AS TRAINER:-
- Neeraj continues to conduct his regular Eleven-day workshop called THEATRE WORKSHOP- AN ACTING TRAINING PROGRAM [ for actors, aspiring actors, all other professionals].
- He just completed a specialised film / script based workshop for a team of Actors from Zoya Akhtar's web series called "Made in Heaven".
- Neeraj also trains celebrities on a one to one basis on the craft of acting. He currently conducted a workshop for Terence Lewis, the celebrated dancer.
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